Elements Of Poetry Essay

Every poet has a unique way inwhich they construct a feature poem. Some poets kick in a tendency to stay within the same style while others buy the farm out of the mold and write in a style of their own. For hoarfrost,most of his produce was quiet in an incline meter however, when composing For Once, Then, Something he strayed away from his usual tendencies of writing. For Once, Then, Something (1920) is the only poem Robert cover ever entrapd in a classical meter it is written in phalaecean hendecasyllabics (Talbot, 2003).Hendecasyllabic is generatedfrom the times of Ancient Greece and the meaning goat the name of the meter is derived by the Greek word eleven. With each line containing 11 syllables, the hendecasyllabic offers the opportunity tomaintainthe radical Sapphic rhythm for a long period, building up momentum (Wikipedia, 2014). There are a number of speculations asto the reason why Frost chose to steer away from his traditional writing scheme notwithstanding cont inued with the reflection of nature. One thought of why Frost did not use the classic Englishmeter for this particular poem was to the effects of him imitating the Latin meter of Catullus.Frosts poem is, among other things, a reaction to hostile critics. Scholars of Catullus and Catullus was Frosts favorite Roman author present pointed to a link among hendecasyllabics and the poetic mode of rebuttal toonescritics (Talbot, 2003). In my view of reading the poem, it could be read in iambic pentameter.Each lineseems toend with an extra syllablewhichgives the impression of being unaccented however, it seem that iambic pentameter was not the intentions of how Frost cute this poem to be read. Writing to a friend in1920, the year of the poems publication, roguishFrost boasted that the poem was calculated to tease the metrists, (Talbot,2003).The meaning Frost wanted toportraywasthat in which he was certainlycapable of writing a poem with an amplevisionand of classical meter. 1 In writin g the poem, Frost intertwined traces of classical Greece within the theme of a modern story. The babble outer reveals seeing his reflection godlike / looking out of a wreath of fern which presents as an allusion of the classicalGreek story of Ovid and his account of his own reflection (Talbot, 2003). The image of the fern could also be measured as a symbol of the Greek wreath.These images are a representation of the classical aspect in which Frost doom the poem to shadow. In my scene, one of the biggest reflections to the classical aspect of Ancient Greece was that of the actual well itself and the so called truth that lies within it. Judith Oster spoke in tune of this same reflection in her book Toward Robert Frost The ref and the Poet, of how the meaning of the poem may have been attributed to the avowal of Democritus Of truth we know nothing, for truth lies at the croup of a well (Oster, 1991).There are certainly many various opinions in which gather nearly the classical t heme ofthe poem and the reasoning behind why Frost wrote it outside of his traditional setting. In learning more and more about Frost from week to week I understand his utilization depicts a more deep and metaphysical meaning. Others criticized Frost for not having profound meaning within his work simply only reflecting the beauty of nature which is the thought of most behind the poems naturalistic classic rendering.The several(prenominal) kneeling at the well is seemingly troubled by something of great cause. There is a mother wit ofuncertaintyof whether or not the answer being sought will be known as truthful.This mortal is not only dealing with the troubles of uncertainly but also the subjugation of mockery from the town, community or merely a group of people. The speaker indicates the troubles seem to come from a very deep and inglorious place as indicated in line three as a image of the well mirrors deeper stamp out in the well than where the water lies (Frost, 1995). Wh en peering in the well at the dark deep water the onlything in which the speaker sees is a reflection point towards himself Gives me back in a shining surface photo / me myself in the summer heaven godlike (Frost,1995).The semblance of a god-like face within 2 the family of water creates the image of someone who could do no wrong, being more of a god than human. The speak is rationalizing the mockery of his image being questioned as he looks deeper into the well with his chin up against the edge realizing the opinion of truth perhaps can be superficial beyond the picture (Frost, 1995).However, this thought is immediately spurned when the water came to rebuke too clear water as if the speaker simply shook his dubiousness bringing his thoughts back to the surface. Many times in our life the water so tospeak can ram murkyleaving us without a clear resolution to a problem we are troubled with. As in this case, the speaker was brought back from those murky waters by the droplet from a fern. We too have those times in our lives who so called bring us back to see the light or ovalbumin as replicated in the instance blurred it, blotted it out. What was that whiteness (Frost, 1995).We all at times struggle with decision truth within our lives just as the speaker does in For Once, Then, Something.The poem is certainly well compose of classicalmeter still maintainingthe jovially gander of Frost while tying into the beauty of nature. Frost is establishing the question of truth no matter of what interpretation the reader may convey, which is in that of his own persona. Essentially though we could all relate to a poem of this nature by taking time to reflect our own personal accord. References For Once, Then, Something.Frost, Robert. Frost imperturbable Poems, Prose, & Plays. New York The Library of America, 1995. Page 208. Print. 3 Oster, Judith. Toward Robert Frost The Reader and the Poet. Athens University of Georgia Press, 1991. Page 82.Print. Talbot, John. Robe rt Frosts Hendecasyllabics And Roman Rebuttals. International Journal Of The Classical Tradition 10. 1 (2003) 73-84. Literary Reference Center. Web. 12 Apr. 2015. Retrieved from http//library. gcu. edu2048/login? url=http//search. ebscohost. com. library. gcu. edu2048/login. aspx? direct=true&db=lfh&AN=14854873&site=eds-live&scope=site Wikipedia contributors. Hendecasyllable. Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 4 Nov. 2014. Web. 12 Apr. 2015. Retrieved from http//en. wikipedia. org/wiki/Hendecasyllable.